The Knocks are a New York story through and through. They met as 19-year-old college students, late one night in a studio at the New School. Ben Ruttner, known as “B-Roc,” DJed clubs as a PM day job, and James Patterson, known as “JPatt,” played the organ at a church outside the city. Both in need of roommates, they moved into an apartment on Avenue C in The East Village that—in the DIY style that would go on to define their work in the industry—the two of them soon turned into a bootleg studio where rappers and bright-eyed vocalists came in to cut tracks. It was a tiny place, with walls as thin as the bugs were plenty. Their neighbors started banging brooms floor to ceiling, cracking knuckles on the walls. When the music got loudest, B-Roc and JPatt would go into each other rooms and say, “I just got the knocks.”
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